High Roads

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S ometimes the high road is best viewed from below.

Along Water Street, where the raised snaking ramps of I-91’s southern end meet I-95’s long elevated curve into the Q Bridge, there’s an epic display of color and metal and concrete and light, where ridged silver planes, warm grey edges and vivid red lines—glowing magenta where exposed to white-blue daylight—make gargantuan geometry against open sky, and where super-sized machinery sometimes rises into the frame, gleaming in mid-afternoon blaze.

Enjoy the view.

Written and photographed by Dan Mims.

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Dan has worked for a couple of major media companies, but he likes Daily Nutmeg best. As DN’s editor, he writes, photographs, edits and otherwise shepherds ideas into fully realized feature stories, helped in no small part by a small team of dedicated contributors.

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