High Roads

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S ometimes the high road is best viewed from below.

Along Water Street, where the raised snaking ramps of I-91’s southern end meet I-95’s long elevated curve into the Q Bridge, there’s an epic display of color and metal and concrete and light, where ridged silver planes, warm grey edges and vivid red lines—glowing magenta where exposed to white-blue daylight—make gargantuan geometry against open sky, and where super-sized machinery sometimes rises into the frame, gleaming in mid-afternoon blaze.

Enjoy the view.

Written and photographed by Dan Mims.

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Dan has worked for a couple of major media companies, but he likes Daily Nutmeg best. As DN’s editor, he writes, photographs, edits and otherwise shepherds ideas into fully realized feature stories.

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