56 blocks of chunky window glass. Gold stripes on a chartreuse couch. Squared-off floorboards from amber to auburn.
Don Wunderlee’s Westville studio is alive with lines, most notably the …
56 blocks of chunky window glass. Gold stripes on a chartreuse couch. Squared-off floorboards from amber to auburn.
Don Wunderlee’s Westville studio is alive with lines, most notably the …
Yale’s architecture is aflutter with birds. Some are phoenixes, some are eagles, more are owls. Yet for the last four years, a mysterious newcomer has been standing watch over Bulldog territory…
In Christopher O’Flaherty’s New Haven studio, an enormous lighthouse stands in black and white, and a red cat prowls, flanked by blue ravens. …
Before the telling of names, dates and other facts, before the presentation of insights and analyses, before the giving of credit where credit is due, curators of art exhibits should strive to do what …
Every now and then, the Yale Center for British Art artfully challenges your ideas about what’s artful. …
Sitting on a bench in her local home studio, ceramicist Kiara Matos explains the allure of clay. “I feel almost like it picked me,” she says. “I can’t stay away from it. I can’t stop making things.”
Her mother felt …
A photo essay. To view all 25 shots, check out the email version.
Lumia, a new exhibit at the Yale University Art Gallery, is a show of light, and…
A photo essay. To view all 25 photos, please check out the email version of this story.
In Crèches of Germany: Tradition & Faith—this year’s Christmastime exhibit at…
A storefront tucked away on Howe Street has long been a source of curiosity for passersby. The door is almost always locked; the lights are almost always out. But when you peer into the windows, you can see rows of …
A photo essay. (To view all photos, check out the email version of this story.)
When we featured him last November, local sculptor Mohamad Hafez was …