Cleopatra—the glamorous, irresistible queen at the heart of Shakespeare’s Antony and Cleopatra—famously “makes hungry / Where most she satisfies,” and the same can be said about Yale Summer Cabaret’s effervescent and erotic production (more…)
Big Shots
If violence against presidents is a kind of fringe religion in our country’s history, as Yale Repertory’s current production of Stephen Sondheim’s Assassins (1990) argues, then John Wilkes Booth is its patron saint. (more…)
Shark Bait
Don’t hate the player. Hate the game. That’s the takeaway I didn’t expect from Other People’s Money, a satisfying play that often feels procedural in the moment but continues to bloom in your brain after you’ve left your seat. (more…)
Drama-rama
A photo essay. Presented each summer ’neath sky and bough, Elm Shakespeare Company’s annual rendition of one of its namesake’s plays is (more…)
Scenic Route
By late 1964, Yale graduate students Jon Jory and Harlan Kleiman realized they shared an uncommon aspiration: to start a theater. In a 1966 article for Smith Alumnae Quarterly, the late New Haven arts scene powerhouse Elizabeth “Betty” Kubler (more…)