Happy Hunting

N ew Haven is full of Easter eggs, and not just on Easter Sunday. 

Usually hard-boiled and dyed or plastic and stuffed with candy, standard Easter eggs are left by a certain imaginary rabbit. We’re thinking, instead, of what Wikipedia aptly describes as “an intentional inside joke, hidden message or image, or secret feature of a work.”

Time to grab our baskets and see what’s been hidden in the Elm City!

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The Community Foundation for Greater New Haven

Many of the images carved in stone on the facades of Yale’s buildings are Easter eggs. Some honor historical moments, Classical figures, even donors. Others take themselves less seriously. Stop at the corner of Grove Street and High Street and look up at the gables of the prestigious School of Law to find humorous, editorialized figures of a wolf, a parrot and a bulldog posing as lawyers, their clients a goat with money bags and a donkey. They’re among dozens of carvings on Yale buildings designed by James Gamble Rogers, who “wanted to illustrate that Yale didn’t take itself too seriously,” writes Michael Stern in Yale’s Hidden Treasures (2012).

Edwin Howland Blashfield’s ceiling mural Triumph of the Dance (circa 1894) offers a much subtler Easter egg in the American Decorative Arts section of the Yale University Art Gallery. Blashfield was working on the commission for the New York City mansion of Collis and Arabella Huntington when author Mark Twain came to call. “Upon seeing this painting in Blashfield’s studio, … Twain remarked, ‘Well, I don’t know who they are, but I wish I was up there with them, and dressed the same,’” as the gallery’s website tells the story. Blashfield may have granted his wish, painting a head in the clouds that looks suspiciously like Twain’s, peering into the armpit of a reclining nymph.

Go up the hill to Albertus Magnus College to find what is perhaps the most complicated set of Easter eggs in town. On the floor of the atrium in Tagliatela Academic Center, 12 mysterious mosaic tiles seem randomly placed. But on one day of every month at approximately 1 p.m., the sun shines through a gnomon—a small, stained glass seal of the college—high on the atrium’s large south-facing window, projecting its ruby glow directly onto one of the tiles. Each tile depicts a symbol representing an event important in the life of the college or of Catholicism.

Downtown on Chapel Street, another visual surprise that requires proper alignment is visible all year. Stop on the sidewalk marker across from the Green and look down the alley next to ZINC. A series of apparently random red-orange designs painted on the sides of the buildings and the Crown Street Garage at the far end of the alley seem to magically align to form artist Felice Varini’s Square with Four Circles, commissioned in 2010 by Site Projects, a New Haven nonprofit promoting public art.

Aside from James Gamble Rogers, the city’s most prolific Easter egg planter may be the secretive street artist known as BiP (“Believe in People”). In 2014, after years of painting whimsical images into the city’s nooks and crannies, he mounted a satirical National Register of Historic Places plaque on the York Street facade of the Yale University Art Gallery, which read in part: “This plaque marks the site on which Sam Dilvan used a felt marker to scrawl the minimalist yet emotionally complex tag, ‘BOOBZ.’” The plaque was removed and temporarily displayed by the gallery. BiP has since left the city for projects elsewhere, and his identity remains unknown—although Sam Dilvan, as keen minds discovered once they’d rearranged the letters, is an alter ego of Vandalism, and BiP has apparently decided to reveal his face.

Inside jokes, another type of Easter egg, dot the city as well. At Grove Street Cemetery, two Yale professors continue to compare CVs after death. The first, John Gamble Kirkwood, died in 1959 and has “some twenty lines describing his many accomplishments and achievements” listed on his tombstone, says the script for a cemetery tour. Upon the death of Kirkwood’s colleague Lars Onsager in 1976, Onsager’s stone was placed just next to Kirkwood’s, listing him simply as “Gibbs Professor, Nobel Laureate.” As Cunningham notes, the setup is “an asterisk following the Nobel listing,” which leads to the punchline: “a footnote at the bottom of the stone with the mere notation: Etc.”

Love hunting for hidden treasures and need more? There’s always Geocaching, offering a veritable egg hunt any day of the year. Download the app on your phone and launch your search.

You can also search this story, which has an Easter egg of its own. Happy hunting!

Written by Kathy Leonard Czepiel. Image 1, featuring the gnomon at Albertus Magnus College, photographed by Kathy Leonard Czepiel. Image 2, featuring the gnomon hitting one of its targets, provided courtesy of Albertus Magnus College.

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About Kathy Leonard Czepiel

View all posts by Kathy Leonard Czepiel
Kathy Leonard Czepiel is a writer and communications pro whose perfect New Haven day would involve lots of sunshine, a West Rock hike, a concert on the Green and a coffee milkshake. She posts somewhat-weekly content on her YouTube channel, Better Book Clubs.

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