As Bill Brown and Sally Hill prepared in 2020 to retire after 32 years of running the Eli Whitney Museum and Workshop, a hole opened that not just any peg could fill. A search for their replacement demonstrated the challenge of finding someone with the passion and know-how to lead the organization, known for teaching children creative problem-solving and technical concepts through hands-on, ingeniously designed mechanical projects. Then came the pandemic.
โThe near collapse of the Museum as Covid-19 festered and the suspended search for a new Director made a 2020 transition un-thinkable,โ Brown wrote to museum supporters in an email in June of this year. โThere were days in the last 14 months on which I was the only person at the Museumโnot unlike the many quiet days in 1988โthe year I arrived. Quiet days: time to think: how did we get here, a million wooden wheels later?โ
The museum did not collapse. In March of 2020, Brown and Hill put the workshop to bed, not knowing how long that sleep would last, and donated all of its N95 masks to New Havenโs EMTs. In the summer of 2020, they retooled EWMโs popular camp to run virtually. When schools reopened, EWM brought its programs to them instead of bringing studentsโwith a few exceptionsโto the workshop. And, having combed through 200 applications, the museumโs Board of Directors found its new leader in its own back yard: Ryan Paxton, whoโd been managing the production shop since 2017.
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After 20 long months, the Eli Whitney Museum and Workshop will reopen to the public the day after Thanksgiving, complete with its traditional working display of American Flyer trains designed and manufactured by New Havenโs A.C. Gilbert Company. Paxton is already at the helm, supported by a team of six, most of whom have been with EWM for years, and about 70 middle school and high school apprentices, who are the primary instructors for visiting school groups, drop-in visitors and summer camp.
Paxton seems custom-designed to take on the job of ushering the museum-workshop and its programs into the future. The grandson of an architect and a Boeing machinist, and himself a potter, tinkerer and experiential learner, Paxton is finding his own feet as he fills Brownโs and Hillโs shoes. โInitially I was like, โOh, how do I do what Bill did?โ and I was driving myself totally crazy because nobody can do Bill but Bill,โ he says. โI realized he set a very good example for how this place runs, but I do have to make it my own.โ
The foundation is already set. Paxton demonstrates his own love for the place and its people as he gives a tour of the main building, built for the ACME Wire Company on a site once occupied by Eli Whitneyโs armory. Bill Brownโs original workshop, where projects were dreamed up and constructed before that function spilled into what had been a traditional museum, is lined with high shelves holding clear plastic bins of casters and gears, tennis balls and golf tees, wooden pegs, ridged dowels, spools, tiny metal cylinders, clothespins. If you can see it, Paxton says, you can be inspired by it.
In the larger design arts studio, where many a New Haven child has donned safety glasses and screwed, hammered, glued and wired together parts to make something new, Paxton and his staff are cleaning up display models, taking inventory and getting reorganized. The beloved train display fills the front room, its track traveling between wooded hills and past miniature buildings, people, signals and signs. This year, a new remote featureโa camera on the front of one moving engineโwill stream video for virtual visitors. In addition, an ambitious renovation of a large animatronic model of the historic armory, long in disrepair, is underway. Walk-in, make-your-own projects will be back as well. Paxton hints only that the initial offering will involve gears. And soon, Brownโs original workshop will become a public space, โbringing the design process closer to the hands of kidsโ with a laser cutter: โYou draw a line, and then the laser cuts that line,โ Paxton says, emphasizing its simplicity.
A self-described quiet kid who learned by observation, Paxton grew up in Seattle and was the first in his family to attend college, excepting his architect grandfather. He dropped out of his first collegeโโI couldnโt afford to go to school without knowing what it was I wanted to studyโโand went to a nearby community college instead, where a pottery class changed his life. โIt was the first really structured workshop learning that I had,โ he says. His passion for creating with clay led to teaching gigs, pottery-making jobs and eventually a BFA from the University of Oregon. Newly graduated, Paxton moved to New York City with his backpack and a cot to โbe an artist.โ He knew no one on the entire East Coast.
โIt was a pretty difficult landing,โ Paxton says of that time. He took adjacent work as a set carpenter and eventually became the chief designer for Standard Transmission Productions, creating retail displays including the iconic Christmas windows at the Macyโs flagship. New Haven entered the picture along with his wife, Jacquelyn Gleisner. Paxton and Gleisner met in Brooklyn, but shortly afterward she moved to New Hampshire to teach. Her sisterโs place in New Haven became the coupleโs weekend meeting spot and, eventually, their new home.
A local acquaintance steered Paxton toward the job listing for an Eli Whitney Museum shop manager. โI came here, and I thought, โOkay, this place is a little kooky,โโ Paxton recalls. It was a weekend, and in addition to visitors, there were 30 or 40 apprentices at work. It didnโt take him long to decide: โThis is something special.โ
Brown and Hill were honored by the Arts Council of Greater New Haven with a lifetime achievement award earlier this month. Daunting as their legacy may be for the new leader, Paxton is growing comfortable with his role. After all, he says, โcontinual reinventionโ is a given at EWM. โWe donโt stop thinking here. Thatโs what we teach, too,โ he says. โIf you look at the history of Bill and Sally here, it looks nothing like it did when they startedโฆ Itโs always going to change.โ
Eli Whitney Museum and Workshop
915 Whitney Ave, Hamden (map)
(203) 777-1833 | manager@eliwhitney.org
Website | Reopening (11/26) and Train Show Details
Written and photographed by Kathy Leonard Czepiel. Image 1 features Ryan Paxton. Image 2 features detail of the model train landscape being prepared for the annual American Flyer exhibition.