We’re celebrating 2023 by revisiting some of the year’s most memorable photo essays, each plucked from—and emblematic of—one of the four seasons.
After winter, spring and summer, now, at last, it’s autumn’s turn, with this October 26 essay…
We’re celebrating 2023 by revisiting some of the year’s most memorable photo essays, each plucked from—and emblematic of—one of the four seasons.
After winter, spring and summer, now, at last, it’s autumn’s turn, with this October 26 essay…
“Everything just keeps changing,” Bill Meddick says as he presses his brush to his palette. …
We think we’re in control of how we see things, but the paintings of Bridget Riley, including the many now on view at the Yale Center for British Art, remind us our eyes possess a mind of their own. …
Five-pointed stars are transformed into delicate pentagons, and red and white stripes become a red, purple, pink, gray and white tapestry in fabric artist Rita Hannafin’s American Texture, now on view in…
For Meg Bloom, a walk in the woods isn’t just a walk. She’s likely to come home with bark and twigs and vines, all destined to become part of her art. In Buried in the Bones, on exhibit at …
In 1961, Robert A. Dahl, then the chair of political science at Yale, published what would become a seminal book on “the political structure of a typical American city”—New Haven. Who Governs? Democracy and Power in an American City traces …
“Primer on canvas,” begins the list of media for a celebrated work by the artist Damien Hirst. Familiar enough. But the list goes on: “pupae, steel, potted flowers, live butterflies, Formica, MDF, bowls, sugar-water solution, fruit, radiators, heaters, cool misters, …
In painting after painting in Shilo Ratner’s soon-ending solo exhibition at DaSilva Gallery, big blocks of color meet contrasting angles and lines and bands. …
From the outside, 1764 Litchfield Turnpike looks like an ordinary office building. …